MONSTER MASH: AQUATIC EDITION

Earlier this month I saw The Meg in theaters, and it got me thinking about monster movies with an aquatic setting. Sharks, carnivorous fish and slimy sea monsters await!

The Meg (2018)

The Meg is a movie that I wanted to see as soon as I heard about it, since it can be boiled down to “Jason Statham fights a giant shark.” The Meg is an unapologetically silly B-movie, but it’s an unapologetically silly B-movie with a nine-figure budget. It makes me happy that Hollywood is willing to spend that kind of money on cheesy creature features. 2018 has been a good year for such films, since it has also seen the release Of Rampage and Jurassic World: Fallen Kingdom. Both films are full of plot holes and people making monumentally stupid decisions, and I enjoyed them both immensely. The Meg follows suit, and once again, I had a lot of fun with it.

Warner Bros.

The Meg of the title is a gigantic prehistoric shark, now extinct. Or is it? In the movie, of course it is not. Jason Statham plays Jonas Taylor, who encountered the beast years ago during an underwater rescue operation. No one believed him at the time but it turns out he was right all along. The Meg is a very fun movie, the kind of movie whose flaws made me like it more. Take lines of dialogue like “that living fossil ate my friend!” as an example of things about this movie that are stupid that I still really liked. That was a poorly constructed sentence, but whatever.

The Meg was directed by Jon Turteltaub, best known for the National Treasure movies starring Nicolas Cage. Why have Nicolas Cage and Jason Statham never been in a movie together? Someone needs to make that happen. Turteltaub understands the inherently ridiculous nature of the film he’s directing, and wisely doesn’t take it too seriously. The film moves along briskly and the special effects are top-notch. There’s one bit during the climax that was so awesome it made me want to stand up and cheer. The Meg is a deeply silly movie, but it’s a very enjoyable slice of popcorn entertainment.

Humanoids From the Deep (1980)

In stark contrast to the large budget and A-list stars of The Meg, Humanoids from the Deep is a cheapie from infamous schlockmeister Roger Corman. It concerns the residents of a small fishing town who are set upon by the titular humanoids, who are the result of, you guessed it, a science experiment gone wrong. The movie is every bit as cheap and forgettable as its name implies, although the humanoids themselves look appropriately slimy and gross, thanks to Monster Mash regular Rob Bottin. The movie was directed by a woman named Barbara Peeters, which is surprising when you consider the amount of sexual exploitation present in the film.

New World Pictures

Apparently this was thanks to Corman, who didn’t think Peeters’ initial cut of the film had enough nudity, so he had the movie’s second unit director film additional scenes of the humanoids assaulting women and inserted them into the film without telling Peeters. Classy. With a title like “Humanoids from the Deep,” a certain degree of tastelessness is to be expected, but Corman’s sleazy additions to the film leave a bad taste in the mouth. Let’s forget this piece of junk and move on.

Piranha (1978)

Piranha is another Corman production, and as such contains the requisite amounts of gore and nudity, but thankfully this one isn’t as mean-spirited as Humanoids from the Deep. Piranha was directed by Joe Dante, who made The Howling a few years later. It was one of many films inspired by the huge success of Steven Spielberg’s Jaws in 1975, and is generally regarded today as one of the better Jaws ripoffs, including by Steven Spielberg himself.

New World Pictures

The hungry man-eating fish of the title are yet another failed experiment, this one a military operation wonderfully codenamed Operation Razorteeth, the goal of which was to produce a resilient strain of piranha that could inhibit the movement of the Viet Cong during the Vietnam War. Operation Razorteeth was shuttered when the war ended, but some of the specimens survived and are unwittingly released early in the film. Wouldn’t you know it, directly in the hungry critters’ path are a summer camp for kids and a water park resort celebrating its grand opening and is chock-full of tasty human flesh.

Piranha is a fun creature feature, and it must have been tricky to make given the technology of the time and the challenges of filming in and around water. Unsurprisingly, the movie isn’t particularly scary, though I’d imagine it was pretty gory by 70’s standards. Piranha was remade in 2010 and while I haven’t seen the whole movie, I’ve seen enough bits and pieces of it on YouTube to know that the remake is FAR more graphic than the original. Let’s just say that my use of the phrase “bits and pieces” was not coincidental. Damn, that movie is not for the faint-hearted.

DeepStar Six (1989)

DeepStar Six was directed by Sean S. Cunningham, who directed the original Friday the 13th. Despite being responsible for one of the most infamous and influential slasher movies of all time, Cunningham’s deep-sea survival adventure is nowhere near as exploitative as one might expect. It was released the same year as a bunch of other water-based horror/survival movies, including Leviathan (covered in a previous Monster Mash) and James Cameron’s The Abyss, among others.

DeepStar Six follows the same basic structure as Leviathan, right down to the first hour of the movie being pretty boring. It takes more than an hour into the 99-minute movie for the creature to show up, and even then, it’s barely in the movie. It’s some kind of giant crustacean, which is awesome. Or it would be, if it were in the movie for longer than maybe five minutes.

TriStar Pictures

The film’s title refers to the experimental underwater US naval facility in which most of the action takes place. One of the biggest problems with the film is that it doesn’t do a good job explaining what the hell the point of the station is. I didn’t even realize it was a US naval facility until I read some plot summaries online. I spent most of the movie wondering what the protagonists were even trying to accomplish by being there in the first place. Maybe there was something obvious I missed, I dunno. The Meg also had this problem, since it was never clear what the purpose of the research facility in that film was either.

DeepStar Six isn’t a terrible movie, but it is a forgettable one. The acting is solid, the characters are mostly likable, the sets have a lived-in feel, and the special effects are decent for the time. But it ultimately fails to deliver the exciting monster action, which makes it a disappointment.

Deep Blue Sea (1999)

Deep Blue Sea is a hell of a fun movie. It’s best known for one scene, in which Samuel L. Jackson is giving a rousing speech to his fellow survivors about how they are all going to survive and escape their current dire predicament, only to be unexpectedly devoured mid-sentence by a giant shark. It’s a hilarious scene, and even though I knew it was going to happen I still got a kick out of it.

The rest of the movie is quite a bit of fun as well. It was directed by Finnish director Renny Harlin, whose resume includes hits like Die Hard 2 and Cliffhanger, as well as notorious flops like The Legend of Hercules and Cutthroat Island, the latter of which is one of the biggest box-office bombs of all time. Deep Blue Sea was a pretty big hit in the summer of 1999, and is my favorite of the movies in this aquatic monster mash.

Warner Bros.

The plot concerns the inhabitants of an undersea laboratory called Aquatica, where Dr. Susan McAlester (played by Saffron Burrows) has been experimenting on the brains of mako sharks in order to develop a potential cure for Alzheimer’s and other degenerative brain diseases. Something about how shark brains don’t degrade over time like human brains do, I think. I have no idea if that is remotely plausible, but it makes for a fun movie so I’m not too picky.

Anyway, Dr. McAlester’s experiments have also increased the size of the sharks’ brains, which has had the side effect of making them extremely intelligent. I don’t know if that’s how brains work, but again, I don’t much care. Things inevitably go sideways and the facility becomes flooded, turning it into an all-you-can-eat buffet for the three hyper-intelligent sharks.

Renny Harlin has a bad reputation these days, but I’ve enjoyed the films of his that I’ve seen, although to be fair I haven’t seen Cutthroat Island or The Legend of Hercules. His films are cheesy but slickly made. The effects and acting in Deep Blue Sea are solid, although some of the CGI sharks look a bit cheesy. Saffron Burrows and Thomas Jane are likable protagonists that I did not want to get eaten. Jane plays Carter Blake, the facility’s mysterious and heroic shark wrangler. I’m not making that up, he’s called a shark wrangler in the movie. Think Chris Pratt in Jurassic World, except with sharks instead of velociraptors.

Deep Blue Sea is full of fun action, narrow escapes and suspense. There are also some quality pyrotechnics and a satisfyingly gory sharksplosion to close out the movie. What more could you ask for? Check it out, it’s great fun. It’s rated R “for graphic shark attacks, and for language,” which pretty much tells you everything you need to know. And I have to give a shoutout to my favorite aquatic monster movie, Stephen Sommers’ Deep Rising, which kicked off my monster movie binge. The movie recently got a brand-new Blu-Ray release, which is a must-have if you love that silly movie as much as I do.

Buena Vista Pictures

Here’s my ranking for aquatic monster movies, including the two I covered in my first monster mash.

1. Deep Rising
2. Deep Blue Sea
3. The Meg
4. Piranha
5. Leviathan
6. DeepStar Six
7. Humanoids from the Deep

See you next time!

Advertisements

Mission: Impossible – Fallout is the Perfect Summer Movie

Tom Cruise may be a weirdo, but you’ve got to give the man credit. It’s hard to think of an A-list Hollywood actor as willing to put himself in harm’s way for the sake of our entertainment. Cruise has been topping himself with each successive installment of the venerable Mission: Impossible franchise, and I can’t wait to see what he’ll have in store next time.

I’m already looking forward to the next Mission: Impossible movie, because Fallout, the sixth and latest film in the series, is everything I want from a summer movie. It’s fun, smart, tense, and absolutely thrilling from start to finish, and despite a 147-minute running time, those nearly two-and-a-half-hours disappear in a flash.

Images: Paramount Pictures

Cruise once again plays unstoppable superspy Ethan Hunt, still working for the Impossible Mission Force, or IMF. This time around he has to stop a group of fanatics known as the Apostles from acquiring nuclear material. That’s the most basic way of describing the plot, so if it sounds trite rest assured that the movie is much cleverer than my bare-bones plot description makes it sound. I’m being vague because I don’t want to give anything away, and I really want people to go out and see this film for a perfect example of smart, fun, exciting entertainment that doesn’t treat viewers like idiots.

Joining Ethan on his mission are familiar faces Benji and Luther, played respectively by Simon Pegg and Ving Rhames. Pegg and Rhames have been playing these roles for multiple films and they are the best kind of movie sidekicks. They’re smart, funny, badass and have great personalities, and don’t feel like stock characters or that they only exist to get captured. They are capable and valuable allies. Also returning is Rebecca Ferguson as the wonderfully-named English spy Ilsa Faust, whose loyalties are somewhat unclear. She’s every bit as badass as she was in the previous film, Rogue Nation, and is very much Ethan’s equal.

Another returning cast member is (spoiler alert if you haven’t seen any of the movie’s trailers) Michelle Monaghan as Ethan’s wife Julia, who hasn’t been seen since the third M:I movie, although technically she made a short cameo appearance in the fourth one. I love that the series hasn’t forgotten about Julia and hasn’t given Ethan any unnecessary romantic entanglements or had him casually jump into bed with every attractive woman that crossed his path. Julia’s presence provides a strong sense of continuity and the movie gives a satisfying amount of closure to Ethan and Julia’s relationship, which I hadn’t been expecting.

But here I am talking about relationships in what will very likely be the best action movie of the year. So, how’s the action? It’s top-notch. The movie was written and directed by Christopher McQuarrie, also returning from the previous film, Rogue Nation. Fallout is the first movie in the series to have been helmed by a returning director, and McQuarrie outdoes his previous efforts in nearly way. I loved Rogue Nation, but Fallout may be even better.

When the time comes to list the best action sequences of 2018, most of them will come from this movie. The HALO jump. The bathroom fight. The Paris motorcycle chase. The showstopping helicopter chase, followed by a brutal battle on the edge of a cliff. And many more. All of these sequences are breathtaking, and they all look totally real. I’m sure some CGI was used at certain points, but Fallout does not look like a CGI-heavy movie, which is remarkable in this age of incredibly advanced special effects. The movie’s stunt team deserves a shout-out for their incredible work in this film, every stunt is flawlessly executed.

Aside from one, of course, the infamous rooftop jump on which Cruise broke his ankle, delaying production while his leg healed. The shot where Cruise breaks his ankle is still in the film, and you’ve got to give the man credit for soldiering on and pulling himself up on to that roof despite what must have been a very painful injury. He also learned to fly a helicopter for the film (that’s really him during that pulse-pounding chopper chase) and spent an entire year learning to do the HALO jump. HALO is an acronym for High-Altitude, Low Opening, and is incredibly dangerous. The IMDb Trivia section for the movie says it best:

While Tom Cruise (Ethan Hunt) is famously known for performing his own stunts throughout the franchise, he ups the ante in this installment by performing four elaborate set pieces (mostly without green screens or stunt doubles): a HALO jump, an unusually dangerous variety of High-Altitude Low Opening parachute jumps; a helmet-free motorcycle chase through Paris, including a portion in which Hunt rides against traffic in the circle around the Arc de Triomphe; an extended foot chase across London rooftops, in which Cruise broke his ankle while jumping between two rooftops; and a helicopter chase in which Cruise does most of the piloting.

Credit to IMDb.

That’s INSANE. The guy literally put his life on the line multiple times, and the end results are spectacular. Fallout is indeed the Mad Max: Fury Road of 2018. It sets a very high mark for on-screen action and stunt work and will be the action movie to beat for a long time. If you’re like me and love intense, fast-paced movies that get your blood pumping, Fallout is a dream come true.

And I haven’t even mentioned the villains. Sean Harris returns as the diabolical Solomon Lane, the ruthless head of the Syndicate from Rogue Nation. Harris’ raspy voice is deeply menacing, and the movie has stakes that feel very real, despite all the times Ethan and his team have saved the world in the past. The movie has a solid emotional core, and I actually felt myself being moved by it a few times. It does a lot to humanize Ethan, and shows that he’s not just a superhuman stunt machine. You really care about the guy.

New to the series is Angela Bassett as CIA director Erika Sloane, who doesn’t trust Ethan and the IMF, and so assigns one of her own agents to accompany Ethan on his mission. That agent is August Walker, played by Henry Cavill, whose mustache caused so many problems for Justice League reshoots. I’ll be honest, Cavill’s not the best actor in the world, he can be a bit flat. But what he lacks in charisma he makes up for in physicality. Walker is noticeably bigger than Ethan and his presence causes unforeseen complications which I won’t elaborate on in the attempt to avoid spoilers.

I loved this movie. It’s whip-smart, has an excellent cast, a plot that keeps you guessing, and the most thrilling action of the year. The first Mission: Impossible movie came out all the way back in 1996, and it is amazing that after more than two decades the franchise is still going strong. Heck, I was eight years old when the first movie was released, now I’m nearly thirty. The series has stood the test of time and continues to deliver top-notch entertainment.

May it continue for another couple decades. I can’t wait.