Family may not be an F word, but there are plenty of other F words is Deadpool 2. It’s ironic that a movie so full of brutal violence, profane language, and raunchy humor can feel so refreshing, but such is the case with Deadpool 2, which, like its 2016 predecessor, does not give a damn about being politically correct. This may be a superhero movie based on a popular Marvel comics character, but this is not a movie to take the kids to.
Images: 20th Century Fox
Deadpool 2 presents the continued misadventures of Wade Wilson, the “Merc with a Mouth,” the self-aware, superpowered killing machine with an endless sarcastic streak and terminal cancer, although his advanced healing powers keep his cancer at bay and also make him basically unkillable.
Not that that prevents anyone from trying. Through the course of the movie, Wade is shot, stabbed, sliced, punched, thrown through walls and windows, blown up, eviscerated, and even literally ripped in half. He survives it all and always has a quip to spare.
The plot this time around doesn’t have the immediacy of the original film, but it still provides plenty of fuel for often hilarious hijinks. The antagonist is Cable, a time-traveling cyborg assassin from the future who comes back in time to kill a teenage boy named Russell, in order to prevent him from doing some bad stuff in the future. Wade takes it upon himself to protect Russell, and mayhem ensues. If that synopsis sounds familiar then you’ve probably seen Terminator 2. It’s exactly the same thing.
Deadpool 2 may not be quite as fresh as its predecessor, but its still quite a bit of fun. Cable is played by Josh Brolin, who you may remember played the infamous Thanos in Avengers Infinity War, which came out less than a month ago. He’s been busy, and he’s quite good in Deadpool 2 as well, although Cable doesn’t get as much character development as Thanos.
Wade of course calls Cable Thanos at one point, leading to confused looks from the other characters. Part of what makes Deadpool so popular is his self-awareness, which means that he knows he’s a character in a movie or comic book or what have you, and will frequently break the fourth wall and directly address the audience. The movie is very funny, and judging from the raucous laughter in the theater where I saw it last week, I’m not the only one who thinks so.
It is impossible to talk about Deadpool without talking about Ryan Reynolds, who was born to play Wade Wilson. He’s so perfect in the role that not only is it impossible to imagine anyone else playing the character, it almost seems like Deadpool and Reynolds are the same person sometimes. Seriously, it’s uncanny. If you haven’t seen it, you should watch Reynolds’ recent in-character appearance on The Late Show with Stephen Colbert. It’s hilarious and takes the movie’s meta self-awareness to a whole new level. It’s been a joy to see the trailers and commercials for the movie, they’re all very funny and creative. It must be a dream job to think of ways to advertise this movie, since you’d be able to let your imagination run wild.
Reynolds also has a screenwriting credit, along with returning writers Rhett Reese and Paul Wernick. There are several lines of dialogue that are different in the movie and in the trailers, which makes me think that there were so many good lines that they couldn’t cram them all in the movie, so they put the best ones in the movie and some of the leftovers in the trailers. The deleted scenes on the Blu-Ray should be hilarious.
It’s also worth mentioning that the Deadpool costume Reynolds wears in both movies is 100% perfect. Not only is it completely faithful to the character’s comic book appearance, it just looks fantastic on screen. It has a certain grimy quality to it, it’s not always bright and shiny. It has a lived-in feel, which subtly helps sell all the gruesome punishment that Wade endures. Wolverine’s classic yellow-and-blue costume may look good on a comics page, but there’s a reason Hugh Jackman never wore it in any of the more than half-dozen movies in which he played Wolverine. It wouldn’t look good on the big screen, whereas Deadpool’s red-and-black costume translates perfectly to cinema.
The movie was directed by David Leitch, who made Atomic Blonde and co-directed the first John Wick. He’s a veteran stunt coordinator who knows how to deliver kinetic, bone-crunching action. The action sequences in Deadpool 2 are white-knuckled and exciting, particularly a show-stopping truck chase that is one of the best vehicular action sequences I’ve seen since Mad Max: Fury Road. He’s also good at mixing the action with the humor, particularly in the lead-up to the big truck chase, where most of Deadpool’s newly-recruited team meets a variety of grisly ends, in one of the movie’s best and most gruesome gags.
As enjoyable as the movie is, it is of course not perfect. It’s a bit of a mess tonally, and can’t always seem to decide whether it wants to be serious or goofy, at times trying for both and ending up with neither. The plot is a bit formulaic and lacks the immediacy of the first film’s single-minded quest for revenge (MUST. KILL. FRANCIS.). There are more characters this time around, which makes the film a bit unwieldy, although many of the new characters are promptly offed in various creative and grisly ways.
Post-credits scenes in Marvel movies are nothing new, but Deadpool 2 has probably the best post-credits scene in any movie ever. It’s too good to spoil, so let’s just say that Wade takes it upon himself to correct some past mistakes, with hysterical results.
The Deadpool movies are violent and vulgar and most likely not to every viewer’s taste, but I’d be lying if I said the vulgarity wasn’t part of the appeal. If 20th Century Fox keeps making R-rated superhero movies this wildly entertaining, I’ll happily keep watching them.