I need a shower after that. The new reboot of Hellboy is one of the goriest movies I’ve ever seen. It’s hard to even put into words just how gruesome this movie is. This ain’t your grandpa’s Hellboy, that’s for sure.
But let’s back up a bit. This new version of Hellboy is the latest incarnation of the comic book character created by Mike Mignola in 1993. You probably saw the commercials for the new movie and thought to yourself, wait, didn’t they already do that? The short answer is yes. Hellboy previously appeared in two films directed by monster aficionado Guillermo del Toro: Hellboy in 2004 and Hellboy II: The Golden Army, released in 2008. Del Toro’s films starred Ron Perlman as the title character and are movies that are fondly remembered today.
Del Toro and Perlman tried for years to get a third Hellboy made but for whatever reason it never got off the ground. You know what that means: reboot time. So here comes a new version directed by Neil Marshall and starring David Harbour in the title role, with no involvement from either del Toro or Perlman. And it’s…not great. It currently has an abysmal 15% approval rating on Rotten Tomatoes (as opposed to 81% and 86% for the del Toro movies) and made an equally-abysmal $12 million over its opening weekend. It seems poised to become one of the biggest bombs of 2019.
There’s no easy answer, of course. But I had two takeaways from this movie: number one is that it’s really weird, and number two is that it’s really, really violent. Combine these two and you don’t exactly have a recipe for box-office gold.
So let’s talk about these two things, shall we?
This movie is weird as hell, no pun intended. Let’s chronicle some of that weirdness. The movie involves King Arthur, Merlin and Excalibur, and (spoiler) Hellboy himself turns out to be a descendant of King Arthur (!). There’s a group of upper-crust English gentlemen who dress up as knights and use electric-powered spears to hunt giants. There’s a Mexican luchador wrestler who turns into a winged vampire monster. Thomas Haden Church briefly appears as a guy named Lobster Johnson. One of the main characters turns into what must have been a were-leopard, or perhaps it was a were-jaguar. The main villain is named Nimue the Blood Queen and her main henchman is basically a sentient, bipedal warthog with a cockney accent. And have you ever heard of Baba Yaga? She’s in this movie too, complete with house that walks on chicken legs.
And covering all this weirdness are several squishy layers of blood, guts and gore. While del Toro’s Hellboy movies were rated PG-13, this reboot is a very hard R. Heads and limbs are severed, bodies melt, explode and dissolve, people are stomped, slashed, chopped, mutilated and maimed in every way imaginable, all of which is accompanied by soaring geysers of blood. During one particularly audacious sequence, an army of giant demons (demon giants?) are released from hell and unleash gruesome mayhem on the citizens of London, leading to people being skinned, impaled, incinerated and even ripped in half vertically like a wishbone.
The architect of all this grisly carnage is Neil Marshall. I last mentioned Marshall when I wrote about his 2002 werewolf movie Dog Soldiers, which was also extremely gory. But Hellboy had a much higher budget than Dog Soldiers, which allowed Marshall to indulge in his favorite pastime, which is of course painting the screen with blood and viscera. Seriously, this guy’s movies are GORY. Does Neil Marshall need a hug? I think he needs a hug.
But is there a story buried beneath all the blood and body parts? Yes, although it’s nothing particularly special. During the age of King Arthur, Nimue (pronounced Nim-way) the Blood Queen had some evil plan to unleash a plague or something, only to be defeated and dismembered by King Arthur and Merlin. Arthur sent her body parts to different corners of the kingdom so that no one could reassemble her. But in the modern day, there is that bipedal warthog creature who’s trying to reassemble Nimue so that she can turn him back into…a fairy, I think? The warthog-man also has a beef with Hellboy for reasons that didn’t really make any sense.
That was probably the most incomprehensible plot summary you’ve ever read, but trust me, watching the actual movie doesn’t make things any clearer. The movie’s plot is a complete mess, confusing at best and utterly baffling at worst. Guillermo del Toro is known for making movies that are full of bizarre creatures and monsters, and getting the viewer to sympathize with the creatures. With his Hellboy movies, he took a lot of care in establishing the world and the backstory of Hellboy and his supporting cast, and spent a lot of time developing their relationships so that you really cared about them.
Neil Marshall is a talented filmmaker, but with this movie it seems like he didn’t care about little things like plot or character and instead decided to throw everything at the wall to see what would stick. And the things he threw at the wall were severed heads and body parts. He tries to get the viewer to sympathize with Hellboy and attempts to add a bit of nuance to the thin plot by having Nimue try to recruit him to join her cause, since he’s a monster and everyone hates and fears him anyway, so why should he bother to help humanity? It’s a decent idea but it’s been done to death in the previous Hellboy movies, not to mention about a dozen X-Men movies.
Okay, but is there anything decent about this movie? I mean yeah, there is. It’s reasonably entertaining, and I was never bored. Baffled maybe, but not bored. David Harbour is good as Hellboy, although he probably won’t be making anyone forget Ron Perlman anytime soon. It’s got to be hard to act under all that makeup, and the guy gives it his best shot. Milla Jovovich is also good as the evil Nimue, and really sinks her teeth into the role of an ancient sorceress out for revenge.
The special effects and creature designs are also solid. It must be a lot of fun to work on a movie like this and let your imagination run wild, and there are all kinds of trolls, gremlins, zombies, and demons. The action sequences are also quite a bit of fun, if you can get past the copious bloodletting. Marshall is a talented director of action sequences and there is a reason he was hired to direct some of the biggest battle episodes of Game of Thrones. The action scenes are fun and exciting, even if the gore is excessive. I haven’t read any of the Hellboy comic books so I don’t know if they’re anywhere near as gory as this movie is, but if they are you’d probably need to wash your hands after reading one.
The new version of Hellboy isn’t very good. It has decent entertainment value, but it adds nothing to the world of Hellboy that hadn’t been done better in the earlier movies, and ends up feeling like a cynical cash-grab. There’s not just one but two post-credits scenes that tease sequels that will most likely never happen given the underwhelming box-office numbers. This movie will be a footnote in the history of superhero cinema.