2018: The Year in Villainy

It was a cinematic year that was primarily dominated by two Marvel villains, both of whom made big splashes. It’s hard to pick just one for the coveted title of Villain Of The Year, but ultimately there was one villain who just had to be given the title, and that villain is…

Thanos in Avengers: Infinity War

It had to be Thanos as Villain Of The Year. No other villain made as much of an impact on the lives of a movie’s characters. And not only did Thanos massively change (and, at least temporarily, end) the lives of dozens of superheroes, he also hugely impacted the Marvel Cinematic Universe, which has become a box-office juggernaut ever since the release of Iron Man in 2008. With Thanos, Marvel showed that it is not afraid to shake up the status quo of its hugely profitable film franchise. And really, the fact that Thanos actually succeeded in wiping out half of all life in the universe makes him Villain Of The Year pretty much automatically.

Marvel/Disney

Also, remember when he THREW A PLANET AT IRON MAN??? Holy crap that was awesome.

Josh Brolin did fantastic work bringing Thanos to life, and the writers, directors, and special-effects people created a character who was surprisingly sympathetic, instead of the two-dimensional power-hungry jerk the character could have easily been if he had not been handled so well. Infinity War was the culmination of a decade’s worth of blockbuster movies, and thanks to Thanos the Marvel Cinematic Universe will never be the same. And for the record, I am still not over that Spider-Man scene. You know the one. Sniff.

Erik Killmonger in Black Panther

Marvel/Disney

In any other year, Killmonger would have been Villain Of The Year. But thanks to Thanos, he is a very strong runner-up. Michael B. Jordan was excellent and turned Killmonger, much like Thanos, into a deeply sympathetic and even tragic figure. The viewer could understand Killmonger’s point of view, even while disagreeing with his actions. He was charismatic, intelligent and badass. He was everything a great movie villain should be. I’ve got him as a very close runner-up for VOTY, but if he’s your number one I’m not going to tell you that you’re wrong.

Captain Wafner in Overlord

Paramount Pictures

In stark contrast to sympathetic villains like Thanos and Killmonger, Captain Wafner was a villain with no redeeming qualities at all. He was a sadistic Nazi captain who was irredeemably evil even before he got half his face blown off and injected himself with an experimental serum that gave him ungodly strength and turned him into even more of a monster. Overlord was one of the year’s goriest thrill rides, and its villain was one of the year’s nastiest.

The Predators in The Predator

20th Century Fox

Speaking of gory thrill rides, it’s a toss-up between Overlord and Shane Black’s much-maligned Predator reboot for the title of goriest movie of the year. The Predator had its share of flaws, but I still found it to be an enjoyable, if bumpy, ride, and probably the best thing about it was seeing the different varieties of Predator that Black and his creative team conjured up. The design of the Predator in the original 1987 Predator movie was great to begin with, so Black didn’t change it too much. But he did add a few new wrinkles that were fun to see even if the Predator dog creatures were a little goofy, complete as they were with Predator dreadlocks.

The Meg in The Meg

Warner Bros.

The Meg is the film that finally answered the age-old question, “What would happen if Jason Statham were to fight an enormous shark?” The Meg is a deeply cheesy B-movie that was nonetheless quite enjoyable, and its massive shark was its crowning achievement. Or should I say sharks, because there are actually two of the giant beasts. The toothy monstrosities are enormous and, of course, hungry for nubile human flesh. The Meg is a thoroughly preposterous movie that is certainly no masterpiece, but it is quite a bit of fun and its gargantuan shark beasts should be more than enough to satisfy any fan of aquatic monster movies.

Solomon Lane and August Walker in Mission: Impossible – Fallout

Paramount Pictures

Tom Cruise’s latest Mission: Impossible flick was the thrill ride of the year, and it had two quality villains to give Cruise’s Ethan Hunt and the rest of his team a run for their money. Sean Harris reprises his role as the diabolical Solomon Lane from the previous M:I film, and Superman himself, Henry Cavill, played August Walker, who was more than a match for Ethan in a fight. Give Lane and Walker credit: they came this close to enacting their evil plan, only to be thwarted at literally the last possible second. Being a bad guy can be a thankless task when all your hard work comes to naught. Hopefully they’ll try again in a few years, because I want more Mission: Impossible movies. Or at least Lane can try again, Walker won’t be able to participate on account of being extremely dead.

Ghost in Ant-Man and The Wasp

Marvel/Disney

It was a year of sympathetic villains in the Marvel Cinematic Universe. Ghost was a young woman who was suffering from a unique condition that gave her the ability to phase through solid objects and teleport short distances, which made her hard to handle in a fight, though her powers are unstable. But she became more sympathetic once the viewer learned about her tragic backstory, how she lost her parents in the lab accident that gave her powers and how shady government types took advantage of her powers to turn her into a weapon. She was the main superpowered antagonist for most of Ant-Man and The Wasp, but the movie ends with her seemingly cured of her affliction so perhaps we’ll see her again down the road.

The Murdersaurus (technically the Indoraptor) Jurassic World: Fallen Kingdom

Universal

You could argue that the main villains of Jurassic World: Fallen Kingdom were the morons who thought it would be a good idea to auction off a bunch of dinosaurs, and you wouldn’t be wrong. But those people were all idiots and dinosaurs are much cooler, so let’s talk about the Indoraptor instead. I dubbed it the Murdersaurus because it was a genetically-engineered death lizard designed specifically for hunting and killing. It gets to do a lot of hunting and killing in the second half of Fallen Kingdom, and I was kind of sad when it died because it was my favorite character in the movie.

Lizzy and Ralph in Rampage

Warner Bros.

Speaking of monster movies where all of the human characters were pretty dumb, Rampage was another deeply silly movie that I enjoyed quite a bit, it just might have been my guilty-pleasure movie of the year. The monsters were George the albino gorilla, Ralph the wolf, and Lizzy the (I think) alligator, all of whom were mutated to enormous size and exceptional ferocity. I didn’t include George as one of the villains because he ultimately becomes a good ape again, despite causing a lot of death and destruction. The monsters are fun to watch and the special effects are top-notch, and much like Jurassic World: Fallen Kingdom the monsters are much more entertaining the bland human characters.

The Screenslaver in Incredibles 2

Disney/Pixar

For a kids movie, Incredibles 2 had a surprisingly sophisticated villain. Writer/director Brad Bird’s long-awaited follow-up to his 2008 original, Incredibles 2 is that rare movie that is fun for kids but also contains a lot for adults to enjoy. This is a movie that treats its viewers with respect, regardless of whether that viewer happens to be a kid or a grown-up. It’s a tricky balancing act, but Incredibles 2 makes it look easy. The Screenslaver is a villain who takes advantage of the world’s overreliance on technology, and manipulates the omnipresent screens that are all around us. That’s a scary idea. The Screenslaver is one of the most culturally-relevant cinematic villains of the year.

Dryden Vos in Solo: A Star Wars Story

Disney/Lucasfilm

Paul Bettany is one of my favorite actors. He’s the kind of actor who elevates any movie he’s in. Since he frequently plays good guys, it’s always fun to watch him cut loose as a bad guy and really chew some scenery. He chewed scenery with aplomb in the latest Star Wars spinoff as a ruthless crime lord named Dryden Vos, who was at least part alien. Dryden is the kind of villain who acts friendly one moment but can explode into murderous rage at the drop of a hat. I like villains like that because their unpredictability ensures that the viewer is always on edge whenever they are around. Bettany’s role in the film is not a huge one, which is not too surprising if you’re aware of the movie’s behind-the-scenes drama (Bettany’s role was initially played by a different actor), but he makes an impression with a limited amount of screen time, as all great actors do.

Cable in Deadpool 2

20th Century Fox

Okay, so this is another debatable one, since Cable and Deadpool end up as allies. But much like Ghost in Ant-Man and The Wasp, Cable serves as the superpowered antagonist for much of the film, so he counts. It was a big year for Josh Brolin playing Marvel comics characters, and he was perfectly cast as the gruff cyborg Cable. He looks pretty much identical to how Cable looks in the comics, and is placed front and center along with Deadpool in the movie’s biggest action scenes. Deadpool 2 was more cluttered than its predecessor, but it benefited from a more complex antagonist, even though I haven’t forgotten that Cable and Deadpool become pals by the end of the movie and have a long history of teaming up in the comics, so perhaps we’ll be seeing more of him in the future.

Mathias Vogel in Tomb Raider

Warner Bros.

Walton Goggins was another actor who had a busy year playing villains. In addition to playing the main villain in this year’s Tomb Raider reboot, he also played a secondary villain in Ant-Man and The Wasp. Goggins is an actor who frequently plays slimy bad guys, and he was well-suited to both of his villainous roles this year. In Tomb Raider he played Mathias Vogel, the leader of an expedition to find a hidden artifact with Great and Terrible Power. He was not a nice person, but he was at least somewhat sympathetic by virtue of the fact that he had been stuck on an island in the middle of nowhere for years and desperately wanted to return home. Still, he was a nasty fellow and his death was thematically appropriate and quite satisfying.

So there you have it, my favorite villains of 2018. Keep in mind that this was not a comprehensive list of every villain in every movie I saw this year, it was simply a list of my favorites. There were a surprising number of sympathetic villains this year, which makes me happy because if there is one thing I like it is a complex bad guy. 2019 is bringing us another full slate of bad guys, including the return of Thanos and the most dreaded evil clown of all, Pennywise. See you at the movies!

Overlord: Hell’s Bells

I was excited about Overlord as soon as I saw the first trailer. The trailer looks at first like a Dirty Dozen-style World War II movie about American parachutists on a mission behind enemy lines in the hours leading up to the D-Day invasion of Normandy. But then Hell’s Bells by AC/DC starts playing, and the trailer takes a dramatic left turn into horror-movie territory.

Images: Paramount

It turns out that Overlord is more reminiscent of Wolfenstein than Saving Private Ryan, and is the closest thing to a live-action Wolfenstein movie we’re likely to get. The Nazis committed so many horrible deeds that it’s not too much of a stretch to imagine that they would have tried something along the lines of what they’re up to in Overlord.

The main character of Overlord is Private Boyce, played by an English actor named Jovan Adepo. He’s a paratrooper dropped into France on the eve of the Normandy invasion. He and his squad are tasked with destroying a German radio tower in an old church in order to allow air support for the beach landings. The movie starts out with a bang as the mission goes to hell before it even has a chance to get started and Boyce’s plane is shot down.

The plane sequence is extremely intense, and takes place almost entirely inside the plane itself, which increases the suspense because the viewer has no more idea of what’s coming than the plane’s occupants do. It ends with Boyce being thrown out of the plane and the camera follows him in a single shot as he struggles to open his parachute and lands in the water. It’s a great way to start a movie.

Fortunately, the rest of the movie lives up to that ferocious opening sequence. It would have been a huge bummer if the remainder of the movie hadn’t been able to live up to the high standard set by that thrilling opening, but it does.

Following his narrow survival, Boyce attempts to regroup with his fellow paratroopers, and is able to meet up with four survivors, one of whom is promptly killed by a landmine. Boyce and his three remaining compatriots take shelter in the village with a young Frenchwoman named Chloe, who is living with her brother Paul and their aunt, who is suffering from a mysterious and gruesome ailment after returning from the church that houses the radio tower that Boyce and his squad must destroy.

I don’t want to give too much away, but if you’ve seen the trailer you’ll know that the Nazis are up to some very bad things in the secret lab below the church. Overlord is not a movie for the faint of heart, and the horrors Boyce encounters when he infiltrates the lab are grisly and horrific, but also kind of awesome, like a severed head still attached to a spinal cord that begs Boyce in French to end its suffering. Boyce also discovers a mysterious red serum that lies at the heart of these nasty experiments, which is very important later in the movie.

The main villain is a sadistic Nazi Captain named Wafner, played by a Danish actor named Pilou Asbaek, whom you might recognize as Euron Greyjoy from Game of Thrones or last year’s adaptation of Ghost in the Shell with Scarlett Johansson. His Captain Wafner is a despicable character who is utterly unapologetic in his evil, even after being brutally beaten by one of Boyce’s squadmates and having half his face shot off, which only seems to make him worse.

That squadmate who beats up Wafner is named Corporal Ford, who is played by Wyatt Russell. If Russell seems familiar, it’s probably because he’s the son of Kurt Russell and Goldie Hawn, and there were a couple of moments where he strongly reminded me of his dad. If you, like me, are a fan of Kurt Russell classics like The Thing, Escape from New York, and Tombstone, being reminded of a young Kurt Russell is not a bad thing. I like Wyatt Russell as an actor much more than Clint Eastwood’s son Scott, who has been in several high-profile movies despite not being able to act his way out of a wet paper bag.

The middle section of Overlord is fairly sedate in terms of violence. After that visceral opening sequence, the movie slows down and takes time to establish the characters and mood, as well as set up the rest of the plot. Despite the lack of action in the film’s middle section, it’s never boring, since the suspense is always high and the characters are never safe.

But lest you think the movie might come up short in the action department, rest assured that it does not. The movie’s final half-hour is a barrage of nonstop carnage and mayhem, and is more than worth the price of admission. It’s one ferocious battle and narrow escape after another, and it is vicious. Overlord pulls no punches in terms of gore. It’s a toss-up between Overlord and Shane Black’s Predator reboot for the title of Goriest Blockbuster of 2018. This is not a movie for people with weak stomachs. There’s dismemberment, disfigurement, impalement, and gallons of blood. One character even takes a meat hook to the chest in what has to be the most squirm-inducing thing I’ve seen in a movie this year.
It’s intense, gory, horrific, and absolutely thrilling. I thoroughly enjoyed Overlord, and even if it doesn’t make a ton of money at the box office, I can easily see it becoming a cult classic. It’s an over-the-top barrage of insane violence. But despite the considerable carnage, I also found myself caring about the characters. They’re not disposable slasher-movie victims, they’re actually quite likable.

The movie was directed by Julius Avery, whose only previous film was a 2014 crime thriller called Son of a Gun starring Ewan MacGregor and Alicia Vikander. Overlord is a much larger-scale production, and he handles it with aplomb. The action in Overlord is intense and well-orchestrated, and the makeup and special effects teams do great work in bringing the film’s grisly Nazi creations to vivid life.

If you’re a fan of war movies, horror movies, action movies, or the Wolfenstein series, you should definitely give Overlord a watch. It’s batshit insane in the best possible way, an ultraviolent B-movie made with skill and attention to detail, and absolute barrels of blood.

Highly recommended.