2017: The Year in Villainy

It’s time once again for the annual roundup of cinematic scumbaggery. Strap yourself in for a whirlwind tour of the best the year had to offer in sheer evil. Beware of spoilers.

The Skullcrawlers in Kong: Skull Island

The Skullcrawlers are basically giant snakes with arms sticking out the front of their bodies. They’re hideous, and provide a fearsome enemy for Kong to battle. You could also argue that Kong himself is the villain, since he does kill quite a few people, or that Samuel L. Jackson’s increasingly-deranged Colonel Preston Packard shows that MAN is the real villain. But in my opinion, the Skullcrawlers are the most straightforward antagonist of the film, so we’re going to go with them.

Image: Warner Bros.

Gaston in Beauty and the Beast

Gaston was always one of my favorite classic Disney villains, and Luke Evans did a wonderful job of bringing him to life. Everything you remember from the animated version of Gaston is present and accounted for in the live-action version. The massive ego, the determination to marry Belle, and the bloodlust that reveals itself when he sets out to kill the beast. Bravo to Disney and Luke Evans for such a faithful recreation of an iconic villain.

Image: Disney

The Joker etc. in The Lego Batman Movie

The Joker was the main villain in the extremely fun Lego Batman Movie, but I have to give a shoutout to the many other villains packed in to the movie, not all of them Batman villains. From Egghead, King Tut and Condiment King to Sauron, King Kong, and Voldemort, the gang’s all here. Zach Galifianakis did great work voicing the Joker and giving him a mix of scary and funny that was just right for the film’s tone. I didn’t get around to writing about Lego Batman last year, but it was a ton of fun and the filmmakers did an amazing job of packing it full of Easter eggs and references that are fun to look for on repeat viewings. It’s the kind of kids movie that both kids and adults can enjoy.

Image:Warner Bros.

Donald Pierce in Logan

Logan was my favorite film of the year and an emotional rollercoaster that I still don’t think I’ve quite recovered from. It also featured some of the most despicable villains, led by jackass-in-chief Donald Pierce and his robotic hand. Pierce and his cronies are not only responsible for ending the mutant gene, but they also created their own pet mutants using DNA from various X-Men, and raised the mutant kids in captivity and trained them to be weapons. Dastardly. Pierce’s comeuppance at the hands of the mutant children he helped create was one of the most satisfying and appropriate villain deaths of 2017.

Image: 20th Century Fox

The Assassins in John Wick: Chapter 2

The most accurate way to describe the villains of the sequel to John Wick is “everyone other than John Wick.” It seems like everyone and their mother is out to kill this guy, from the woman playing the violin in the subway to the bodyguards of one of the targets he assassinates. By the end of the film, John is more alone than ever, with the implication that basically the entire world is out to get him, so he’ll have his hands full (and then some) in John Wick 3, which I hope comes soon. The picture I included with this entry does not depict any particular one of these assassins, but is still very representative of the crap John has to put up with throughout the film. His exasperated face says it all.

Image: Lionsgate

Ego in Guardians of the Galaxy Vol.2

The Marvel Cinematic Universe has been criticized for having somewhat weak villains (aside from standouts like Loki and the Red Skull). But 2017 was a strong year for MCU villains, getting off to a good start with Kurt Russell’s Ego in Guardians of the Galaxy Vol. 2. Ego is a central character to the film’s plot and an important part of the main character’s identity, so he doesn’t feel like a villain who’s there simply because the film needs a villain. His plan for galactic domination is thoroughly evil and even though he’s a bit too talky during the middle portion of the film, it’s still quite satisfying to see Peter Quill overcome his evil father’s influence and realize that his true family was right in front of him all along.

Image: Marvel/Disney

Vortigern in King Arthur: Legend of the Sword

Guy Ritchie’s utterly insane King Arthur romp is not what I would call a good movie, but it’s a movie I kind of like simply because of how deranged it is. Given the insanity of the rest of the film, Jude Law’s commitment to his role as the evil king Vortigern is admirable. Vortigern is power-crazed and willing to sacrifice anything to maintain his power, including the lives of his own family. Despite the film’s weirdness, there’s a surprising sense of poignancy when Arthur defeats his evil uncle Vortigern and the look on Law’s face as Vortigern dies conveys the sense that he realizes all his actions, including sacrificing his own wife and daughter, have been for nothing.

Image: Warner Bros.

David and the Xenomorphs in Alien: Covenant

Xenomorphs have been scary ever since they first appeared on cinema screens in 1979, and after nearly four decades they are still every bit as scary. Some fans had issues with Covenant’s Xenomorph origin story, since apparently the slithery monstrosities were created by David, the wayward android from 2013’s Prometheus. Story issues aside, Michael Fassbender is terrific in a dual role and it’s a testament to the strength of the original Xenomorph design by H.R. Giger that the slimy creatures are as scary now as they were at the beginning, despite their appearance and behavior having changed very little over the years.

Image: 20th Century Fox

Cypher in The Fate of the Furious

I had a lot of issues with the plot of the massively-successful eighth film in the Fast and Furious franchise, so much so that I dedicated an entire post to it a couple of months ago. But I still give a lot of credit to Charlize Theron, who clearly has a lot of fun playing the blond-dreadlocked superhacker Cypher. Despite her generic name, Cypher is a cunning adversary who creates all kinds of trouble for Dom Toretto and his crew. She survives the movie and, given the series’ tendency to turn former adversaries into allies, it wouldn’t surprise me if she joined Dom’s team in future installments. But seeing how much fun Theron has in the role, it wouldn’t bother me too much if that turned out to be the case.

Image: Universal

Capitan Salazar and the Ghost Pirates in Pirates of the Caribbean: Dead Men Tell No Tales

I liked the most recent Pirates adventure a lot more than apparently everyone else who saw it. A big part of my enjoyment of the film was due to its excellent villains, the leader of which is played by the always-scary Javier Bardem. The special effects that created Bardem’s Capitan Salazar and his ghostly crew of undead marauders were fantastic. I loved the designs of the ghost pirates, some of them were missing body parts and their hair and clothing were always floating, as if they were constantly suspended underwater. The movie had plenty of flaws, but the badass villains were not one of them. Also, zombie sharks.

Image: Disney

Ahmanet in The Mummy

The Mummy was not a good film, but by far the best thing about it was the performance of Sofia Boutella as the titular antagonist, Ahmanet. I like the idea of a female antagonist in a Mummy movie, and Boutella did great work bringing Ahmanet to undead life. It’s too bad that the rest of the film couldn’t live up to the standard of Boutella’s performance, and flopped so hard it may have torpedoed Universal’s hopes to build an interconnected universe of monster movies. The film may have been a failure, but its lack of success can’t be placed at the feet of the actress who was easily the movie’s biggest strong suit.

Image: Universal

Ares, General Ludendorff and Dr. Maru in Wonder Woman

Wonder Woman’s trifecta of villains was probably the weakest aspect of an otherwise excellent film. They weren’t terrible, just kind of generic. But it speaks to the awesomeness of the film’s heroine that an evil German scientist, an evil German general, and the God of War himself never stood a chance against Diana of Themyscira (I keep wanting to call the scientist and the general Nazis but they weren’t Nazis because the film takes place during World War I). They’re fun villains in a 1940’s movie serial way, even if they lack the heroine’s three-dimensional personality.

Image: Warner Bros.

The Vulture in Spider-Man: Homecoming

Michael Keaton was excellent as Adrian Toomes, aka the Vulture, in Spider-Man’s first solo entry in the Marvel Cinematic Universe. The reveal of Toomes as the father of Peter Parker’s high school crush and homecoming date Liz was extremely well done, and the subsequent scene of Peter, Liz, and Toomes in the car on the way to the homecoming dance dripped with tension. The Vulture is one of the MCU’s best villains, and the filmmakers did a great job of making him somewhat sympathetic, as well as connecting his origin to the larger cinematic universe of which he is a part. Bravo, Spider-Man: Homecoming.

Image: Marvel/Disney

Bats, Buddy and Doc in Baby Driver

The titular character of Edgar Wright’s hugely entertaining Baby Driver lives a life surrounded by dangerous and unpredictable people. Doc is the mastermind of the heist crew, and Jon Hamm’s Buddy and Jamie Foxx’s Bats are the muscle. Buddy appears to be the more mentally stable of the two, while Bats is a lunatic who can barely control his lust for mayhem. Wright does a brilliant turnaround by killing off Bats during the climactic failed heist and making Buddy the last antagonist Ansel Elgort’s Baby must overcome before being able to be with Lily James’ Debora, the waitress he’s fallen in love with. Buddy proves to be quite tenacious, and Jon Hamm is menacing as hell. I loved Baby Driver, and can’t wait to see what Edgar Wright does next.

Image: Sony Pictures

Hela in Thor: Ragnarok

Cate Blanchett’s Hela was my favorite villain, or in this case villainess, of the year. She was absolutely kick-ass. Ragnarok was a blast from start to finish, and Hela was mesmerizing to watch. Blanchett clearly had a ton of fun playing her (how could she not?) and whenever she wasn’t on screen I wished she was. She’s a much more three-dimensional villain than the rather dull Dark Elves from Thor’s previous solo outing, and I can’t be the only person out there who thought she was, I dunno, kinda hot in a weird way (please tell me I’m not the only one). She appears to get killed at the end of the movie, which makes me sad that we probably won’t be seeing her again. One can only hope.

Image: Marvel/Disney

Steppenwolf in Justice League

A lot of people hated Justice League, but I wasn’t one of them. Sure, it had its share of issues, but I don’t think it deserved as much hate as it got. I will admit that its villain was weak, though. Steppenwolf was an intergalactic harbinger of doom that was just not very interesting. He looks like he walked off the cover of a heavy metal album (wasn’t there a band called Steppenwolf at some point?) and spouts a lot of crap about conquering the world and whatnot. Yawn. Still, give him some credit for being able to take on six superheroes and give them all a run for their money, and Ciaran Hinds does a good job voicing him.

Image: Warner Bros.

Kylo Ren and Supreme Leader Snoke in Star Wars Episode VIII: The Last Jedi

Oh, boy. Where to even start with The Last Jedi? The issues I had with this film could fill their own post (and they will soon), but I did like Adam Driver’s performance as the tormented Kylo Ren, formerly known as Ben Solo, and motion-capture wizard Andy Serkis was pretty great as Snoke, the Supreme Leader of the First Order. I have issues with these characters (more on that in an upcoming post), and Snoke is kind of a dumb name, but the performances were solid and I loved Snoke’s crimson-bedecked throne room.

Image: Lucasfilm

Pennywise in IT

One of horror maestro Stephen King’s most terrifying creations, Pennywise the Dancing Clown has been traumatizing readers since the book’s publication in 1986. Tim Curry’s portrayal of Pennywise scared the pants off an entire generation in the 1990 TV movie of IT, and Bill Skarsgard’s terrifying portrayal of Pennywise in the smash-hit new movie was absolutely chilling. Skarsgard nailed the character, who basically is the ultimate embodiment of pure, unfiltered, malicious evil. Hela may have been my favorite villain of the year, but Pennywise was by far the scariest.

Image: Warner Bros.

The Man in Black in The Dark Tower

The film adaptation of another Stephen King story, The Dark Tower did not enjoy the same warm reception that IT did. I thought The Dark Tower was a fun adventure, albeit one that didn’t take full advantage of the opportunities presented by the source material. But the lead characters are played by two of my favorite actors, and it is fun to watch Idris Elba as the heroic gunslinger Roland and Matthew McConaughey as the diabolical Man in Black butt heads. McConaughey does great work bringing one of King’s most prolific villains to life (the character has appeared in multiple iterations across several of King’s books) and I’m glad that we got see these characters onscreen, even if only the one time, since the film’s underwhelming box-office performance makes a sequel unlikely.

Image: Columbia Pictures

Poppy Adams in Kingsman: The Golden Circle

Matthew Vaughn’s overstuffed Kingsman sequel may have been a mess, but at least it was a fun mess. While Pennywise was the year’s scariest villain, Julianne Moore’s Poppy was without a doubt the most cheerful. She has a radiant smile for most of the film, even when commanding one of her henchmen to toss another one of her followers into a meat grinder and making a burger out of him. She also had one of the most unique hideouts, dwelling in a 50’s-inspired utopia in the middle of the jungle in Cambodia. Or at least I think it was Cambodia. Poppy also kept Elton John captive and had robotic guard dogs named Bennie and Jet, so give her points for originality.

Image: 20th Century Fox

And there you have it! See you again in a year or so for another roundup of cinematic evil.


Justice League: The World Ain’t Saving Itself

Warner Bros. and DC Comics’ attempts to emulate Marvel and Disney’s success with an interconnected cinematic universe of superheroes has met with mixed results, to say the least. They started off reasonably well with Man of Steel in 2013, before stumbling with Batman V Superman: Dawn of Justice and Suicide Squad in 2016. They scored their first major hit with Wonder Woman earlier this year, and were hoping for another big hit with Justice League, the superhero team-up movie that is DC Comics’ version of the Avengers.

Image: Warner Bros.

Well, they’re back to the mixed results, since Justice League earned middling reviews and underwhelming box-office returns. It’s still a fun action-packed romp, but behind-the-scenes drama may have prevented it from being an Avengers-sized hit.

The movie is a flat two hours long, apparently a result of a Warner Bros. mandate that the film not exceed two hours in length, after Batman V Superman was criticized for being overlong at two and a half hours. The shorter running time of Justice League means that the pacing is better and the movie has a good sense of momentum, but the downside is that the characters aren’t as fully fleshed-out as they might have been given more time to develop them.

The movie was also subject to extensive reshoots, which were directed by Avengers maestro Joss Whedon after original director Zack Snyder stepped away from the film for a time for personal reasons. This means that Justice League was essentially directed by two different directors, although only Snyder is credited. Fortunately, the new scenes are integrated well enough that it didn’t seem to me that parts of the film were directed by different people, although I’m sure fans will have fun trying to figure out which scenes were shot by Whedon. I think Whedon was brought in to film mostly new dialogue scenes to help flesh out the characters and their relationships a bit, since “relationships” are not exactly one of Zack Snyder’s strong suits.

Snyder gets a lot of hate, much of which I think is undeserved. People just love to hate the guy for whatever reason. I think that he has a talent for eye-catching visuals and is a good director of kinetic action sequences, but the characters in his films don’t resonate as strongly as the visuals and action scenes. One of the best descriptions I’ve heard of Snyder’s work is that his films are full of great moments and memorable images, but good individual moments don’t necessarily add up to a great movie. This is a good description of Justice League as well, regardless of which director directed which scenes.

Image: Warner Bros.

But who are the characters in Justice League? There are six, and the identity of one of them could be considered a spoiler, since Warner Bros. kept him out of the film’s marketing materials. So, spoiler alert, I guess, although this character’s appearance will not come as much of a surprise for anyone familiar with comic books. When we last Superman, he was dead, killed by the monster called Doomsday at the end of Batman V Superman. He gets resurrected in Justice League, and I’ll keep the details of his resurrection a secret, although I will say that I thought it was handled pretty well, and that it was well-integrated with the rest of the film’s plot.

The other five characters, and the ones that the marketing focused on, are Batman, Wonder Woman, the Flash, Aquaman, and Cyborg. We already know Batman and Wonder Woman, but the other three are making their big-screen debuts (not counting their brief introductory cameos in earlier films). The movie has a lot of weight on its shoulders, since it has to establish these characters and set up a villain that will take their combined efforts to defeat, especially with the truncated two-hour running time.

When the first Avengers movie came out back in 2012, it had a distinct advantage over the Justice League movie. In that film, we were already familiar with the characters, since we had seen them in previous movies. Even the film’s villain, Loki, was someone we already knew well. In Justice League, three of the main characters are essentially new to the film’s universe (again, not counting those earlier cameos), as is the film’s villain.

That villain is named Steppenwolf, and he’s…underwhelming. He’s basically a harbinger of interdimensional doom who wants to unleash hell on earth and looks like he walked off the cover of a heavy metal album. He has an army of flying bug-eyed creatures called parademons and, look, the whole thing is pretty silly. The plot feels very compressed and viewers who aren’t familiar with the comic-book lore may very well wonder what the hell is going on. And while the big picture is clear (good guys must defeat bad guy before he unleashes hell on earth) the details are hazy.

Fortunately, I did like the good-guy characters. The movie has a better grasp of Batman (played again by Ben Affleck) than Batman V Superman did (Batman doesn’t kill anyone this time around), and Wonder Woman (the excellent Gal Gadot) is great. Aquaman (played by Conan the Barbarian Jason Momoa) and Cyborg (played by Ray Fisher) are fun characters, and the movie pokes fun at Aquaman’s much-mocked ability to communicate with fish. But the character who steals the movie is Barry Allen, aka The Flash, played by Ezra Miller.

Image: Warner Bros.

The Flash is easily the funniest character, and Miller steals every scene he’s in. Barry is a guy who really wants to do good in the world and is super excited to hang out with Batman and Wonder Woman and the gang, but he’s the first person to admit he may be in a bit over his head. “It’s great that you guys are ready to go in and do battle, but I’ve never done battle before,” he tells Batman. “I’ve just pushed people and run away.” The movie’s best lines all belong to him, and I’m looking forward to his solo film, although it’s still a few years away.

The special effects and action sequences are top-notch, which isn’t too surprising since Zack Snyder always delivers films that look and sound great, even if he struggles in other areas. There are a lot of fun superhero battles, and the movie has a much brighter color palette than previous DC Comics movies, which is nice to see. The characters look great and the costumes, weapons, vehicles and the like are badass, especially Batman’s awesome vehicles and Bat-tech. I also loved Barry’s wide-eyed reaction to seeing the Batcave for the first time: “It’s like a cave…a…bat-cave!”

The movie is much lighter in tone than Snyder’s previous DC films, which were heavily criticized for being too dark. There are a lot of jokes and funny moments (most of which belong to Barry) as well as a very funny scene involving Aquaman and Wonder Woman’s lasso of truth. I also got a kick out of Barry’s first meeting with Wonder Woman. “Hello, Barry, I’m Diana,” she says to him. Clearly smitten, he says to her, “Hello, Barry, I’m Diana. Wait, that’s not right.” It’s good to see Snyder having more fun with these characters.

Image: Warner Bros.

Justice League may not be up to the high standard set by the rest of this year’s comic-book superhero films, but I still enjoyed it. It’s hard to say how much the behind-the-scenes shakeups impacted the movie (there are several scenes in the trailers that aren’t in the film), but I still had fun with it. Maybe the Blu-ray release will include the director’s cut or something and we’ll be able to see some of the stuff that was left out. I still enjoyed Justice League overall, and while Wonder Woman remains the best movie in DC’s interconnected superhero universe, Justice League is quite a bit of fun, and 2017 was a much better year for DC movies than 2016 was, which is a relief.

Coming up next is something a bit different. For the past couple weeks I’ve been playing a lot of Wolfenstein II: The New Colossus. It’s a game full of Nazi-killing and ridiculous sci-fi shenanigans, but underneath all that is a game that cares deeply about its story and characters, and has a surprising amount of real-world relevance, despite the ludicrous robot-laser-space Nazis. Join me next week for a discussion of one of the most provocative video games to come around in quite some time. See you then.

Thor Gets Thunderstruck in THOR: RAGNAROK

Marvel is on a roll this year. They’ve released three new installments in the Marvel Cinematic Universe (Guardians of the Galaxy Vol. 2, Spider-Man: Homecoming, and Thor: Ragnarok), as well as Logan, Hugh Jackman’s poignant final appearance as Wolverine.

And I loved all four of those movies.

The latest is THOR: RAGNAROK, which is absolute loads of fun.

Image: Marvel/Disney

The standalone Thor films are generally regarded as some of the weaker entries in the Marvel Cinematic Universe, or MCU. They’re not terrible by any means, but they’re not as good as the Captain America or Avengers films, for example. Ragnarok is by far the best solo Thor movie and one of the best MCU movies in general.

The movie was directed by a New Zealander named Taika Waititi, previously known for two well-received independent films, What We Do in the Shadows and Hunt for the Wilderpeople. I haven’t seen either of those films, but I’ve heard lots of great things about them. Ragnarok is Waititi’s first foray into big-budget blockbuster filmmaking, and he nails it. He perfectly captures the humor, beautiful visuals, and exciting action scenes that MCU movies have become known for. His style is the perfect fit for Thor.

Ragnarok is a surprisingly hilarious movie, and is right up there with Spider-Man: Homecoming and the Guardians of the Galaxy films as one of the funniest Marvel movies. The cast has great chemistry and there are more funny lines and moments than I can even remember off the top of my head as I’m writing this. Waititi has said that much of the dialogue was improvised, which shows how good the actors are together.

Chief among them are Chris Hemsworth as the heroic Thor and Tom Hiddleston as his mischievous adopted brother Loki. Both actors have been playing these roles since 2011, and they’re both fantastic. Their relationship is consistently interesting and funny, and it’s so much fun to watch the two actors bounce off each other. Even though they’ve been playing these characters for more than half a decade, the tempestuous relationship between the brothers doesn’t feel stale, and is one of the best things about the movie.

I’m not going to go into too much detail about the plot, since the film is still brand new. Suffice to say that Thor and his pals have got their hands full this time around, since the film’s villain is easily one of my favorite villains of the year.

Her name is Hela.

She is the goddess of death.

She is played by Cate Blanchett.

She’s awesome.

Image: Marvel/Disney

“Oh, I’ve missed this,” she purrs, after making short work of Asgard’s armies. She is a force to be reckoned with, and Blanchett plays her perfectly. She reminded me a bit of Cruella de Ville, although perhaps Maleficent would be a better comparison. Either way, she’s fantastic, and Blanchett looks like she’s having a great time playing her. Hela is easily one of the best MCU villains, and just might be my number-one villain of 2017.

The movie is a joy to look at. The different settings in which the movie takes place all look gorgeous, as do the denizens that populate them. The movie is full of eye candy and the visual effects are among the best I’ve ever seen. Between Doctor Strange, Guardians of the Galaxy, and Thor: Ragnarok, Marvel movies have been killing it with cutting-edge visual effects that are wondrous to behold.

The action scenes are exciting and will really get your blood pumping, and the movie contains two excellent uses of Led Zeppelin’s “Immigrant Song,” which was also used to great effect in the film’s trailers. “Immigrant Song” includes the lyric “Valhalla, I am coming,” so it’s perfect for Thor. And everyone knows that Thor is the God of Thunder, but in Ragnarok we get to see him cut loose with his thunder and lightning powers in ways we haven’t seen onscreen before. The results are fun and badass, which is everything Thor needs to be.

Image: Marvel/Disney

And let us not forget the green elephant in the room. That of course would be the HULK, who hasn’t been seen onscreen since 2015’s Avengers: Age of Ultron. He’s played once again by Mark Ruffalo, who perfectly embodies Bruce Banner’s absolute bafflement in finding himself on an alien planet with no idea how he got there. The Hulk is a very fun character and it’s great to see him portrayed so well, after Marvel’s first two Hulk movies (2003’s Hulk and 2008’s The Incredible Hulk) met with mixed results.

The film’s trailers, posters, and other marketing material heavily promoted Hulk’s role in the film, which does somewhat lessen the impact of his initial appearance in the movie. There’s quite a lot of buildup to the not-so-jolly green giant’s big introduction, but if you’ve seen any of the movie’s posters or trailers, you already know what’s coming, so the moment doesn’t resonate as strongly as it would have if Hulk’s involvement had been less highly publicized.

Image: Marvel/Disney

Still, it’s hard to fault Marvel for promoting Hulk’s involvement, not to mention it would have been very difficult in this modern smartphone era to keep it a secret. It’s a bit of a missed opportunity though, since if Hulk had appeared with no one having had any idea he was going to be in the film, minds would have been blown. Mind you, I’m not criticizing Hulk’s inclusion in the movie, merely the way Marvel chose to promote it. Hulk fits right in to the story, and the scenes with Thor and Hulk are hilarious and give parts of the film a buddy-comedy vibe.

Image: Marvel/Disney

There are some new characters, such as the hard-drinking badass Valkyrie played by Tessa Thompson (of Creed and Westworld fame) and the Grandmaster, played by Jeff Goldblum at his most Jeff Goldblum-iest. These characters are a lot of fun, and I look forward to hopefully seeing more of them in future movies. There’s also Skurge, played by Karl Urban. Skurge is the only character who felt unnecessary to me. I like Karl Urban a lot but his character seemed like a bit of an afterthought.

There’s also Korg, played by Taika Waititi himself, although you’d never realize it because Korg is some kind of rock monster. He’s a very funny and likable rock monster though, and proves to be a strong ally for Thor and his pals. Anthony Hopkins returns as Odin and Idris Elba as Heimdall, and it’s fun to see both of them again. There’s also a brief but fun cameo from a certain Sorcerer Supreme, as well as the expected cameo from Stan Lee.

Thor: Ragnarok is a film that succeeds on every level. It’s quirky and weird and hilarious and beautiful and exciting and absolute tons of fun. If you weren’t impressed by previous Thor films, give this one a try. It just might change your mind.

On November 17, another big superhero movie lands in theaters. That movie is Justice League, and it’s got a lot to live up to after four excellent Marvel movies and the also-excellent Wonder Woman. We’ll have to wait and see if it can live up to the high standard of those movies, but in the meantime there’s another reason to head to the theater this weekend. It’s Murder on the Orient Express, and we’ll be talking about it next week.

Blade Runner 2049 is as Good as Belated Sequels Get

Confession time: the first time I saw Ridley Scott’s seminal 1982 sci-fi film Blade Runner, I didn’t much care for it. Please don’t judge me too harshly.

This could be because I saw it on TV and it was probably edited to some extent. This could also be because the version I saw was the original theatrical version, which most fans of the film agree to be inferior to later versions. But I think the most likely reason of all was that it did not conform to my expectations. I expected a rollicking, action-packed thrill ride. What I got instead was a dark, moody, slow-burning sci-fi noir. It wasn’t what I wanted at the time, but I have a much greater appreciation for it now. Scott’s Blade Runner is a stone-cold classic and has been hugely influential on generations of filmmakers and writers.

The idea of a sequel coming out some 35 years after the release of the original film could lead to understandable skepticism. We all know what happened with that last Indiana Jones movie, after all. But I am happy to say that the new film, Blade Runner 2049, is an excellent sequel. People have called it one of the best sequels ever made, and it’s hard to disagree.

Image: Warner Bros.

The new movie was directed by the brilliant French-Canadian director Denis Villeneuve. I haven’t seen all of his films, but the ones I have seen (Prisoners, Sicario, and Arrival) were all excellent. Villeneuve is one of the best directors working today, and he has delivered another near-masterpiece with Blade Runner 2049.

Villeneuve’s film stays true to Scott’s beloved original in tone, style, and content. The cinematographer was the great Roger Deakins, and the movie looks amazing. It brilliantly recaptures the iconic look of the original movie while also providing new environments and landscapes that fit right in with the world these films have created. If Deakins doesn’t finally win an Oscar for his work on this film, then the Academy Awards are officially Dead To Me.

Image: Warner Bros.

But aside from the eye-popping visuals, the film is rich in ideas and emotion. One of the main questions the original film presented was: what does it mean to be human? If it becomes possible to one day create synthetic beings so lifelike they’re virtually indistinguishable from real people, who’s to say those synthetic beings aren’t human? HBO’s Westworld recently pondered similar questions, and they’re as relevant and intriguing now as they were when the first movie was released in 1982.

Much has been made of Harrison Ford’s return to the world he helped create, although (this could be considered a minor spoiler) he doesn’t actually appear in the new movie until it is more than half over. Most of the movie rests on the shoulders of Ryan Gosling, and he is more than up to the task of carrying the film. Gosling’s performance here is superb and absolutely Oscar-worthy.

Image: Warner Bros.

For those of you unfamiliar with the story, here’s a quick recap. The original movie took place in 2019, and followed Ford’s character Rick Deckard as he attempted to track down four rogue replicants. Replicants were created by the Tyrell Corporation to serve as off-world slave labor, but after a series of violent rebellions, they became outlawed. Blade Runners such as Deckard were cops who specialized in tracking down and “retiring” replicants.

Gosling’s character, known simply as K for most of the movie, is a Blade Runner hunting down replicants in 2049, thirty years after the events of the original film. I’m not going to go into much detail about the plot, since I really want to avoid spoilers. Suffice to say that K’s background is complex and is an integral part of the film’s plot. It becomes necessary for him to track down Deckard, who hasn’t been seen for thirty years. When we do finally meet Deckard, he’s tired and worn out. It’s some of the best acting Ford has done in recent years. He does a great job capturing Deckard’s cynicism and world-weariness, and is soulful and sympathetic.

Image: Warner Bros.

In addition to Deckard and K, the rest of the characters are equally fascinating. Robin Wright plays K’s no-bullshit boss Lieutenant Joshi, Jared Leto plays a creepy evil industrialist named Niander Wallace (who now owns the company that makes replicants and has made a fortune producing a new, more obedient series of replicants), and an actress named Sylvia Hoeks plays Wallace’s main henchwoman, disarmingly named Luv. Despite her name, she is not to be messed with, and provides a fierce adversary for K as he attempts to locate Deckard.

There’s also the lovely Cuban actress Ana de Armas as a character named Joi (pronounced like the word joy), who is, for lack of a better word, K’s companion. No, not that kind of companion. She offers him support and guidance despite, let’s just say, not being entirely human. I found the relationship between K and Joi to be quite fascinating, and genuinely moving at times.

There’s a lot more I could say about the plot, but I’m not going to because this is a movie you should experience for yourself. I will say that I loved the film’s plot. The filmmakers did an incredible job of telling a story that feels like a logical evolution of the original film, instead of just a flimsy excuse to make another movie and make more money. Blade Runner 2049 is a movie made with immense care and attention to detail. It feels completely faithful to the original.

I wouldn’t call either Blade Runner movie an action movie. Both movies are deliberately paced, and while there are fights and chases, the emphasis isn’t on the action scenes. Both films have a long way to go and are in no particular hurry to get there. The new movie is nearly three hours long, but it didn’t feel that long to me. It immediately sweeps the viewer up into the vivid world it creates, and it’s the kind of world that is thrilling to explore, but you probably wouldn’t want to live in it.

Every aspect of this movie is Oscar-worthy, from the production design to the writing to the acting to the directing to the special effects to the cinematography. Every one of those things from the first movie became iconic, and it’s easy to see the same thing happening with the new movie. Denis Villeneuve and his team did an incredible job crafting this film, and they have made Blade Runner 2049 every bit as emotionally resonant and thematically rich as its esteemed predecessor, which is no small feat.

Coming up next, in The Foreigner Jackie Chan will show us that it doesn’t matter if you’re in your sixties, you can still kick ass.

Gentlemen Are Still Badasses in Kingsman: The Golden Circle

Matthew Vaughn is one of the best action directors working today. His films Kick-Ass and Kingsman: The Secret Service have some of the most exciting, well-shot and well-choreographed action sequences in years. His latest film, the sequel Kingsman: The Golden Circle, has all the kinetic action of his previous films, but his flaws as a storyteller have never been more apparent.

The first Kingsman movie introduced the titular spy agency, a clandestine group of gentlemen badasses who wore finely-tailored suits and also just so happened to be lethal killing machines. The first film showed the training of Eggsy, a Kingsman recruit with a lot of potential. Eggsy eventually became a full-fledged Kingsman agent and helped save the world from a megalomaniac bent on cleansing the world by killing most of its population.

It was a very fun movie that was a big hit when it was released in 2014. Now the sequel is here, and it’s a mess. Mind you, it’s a fun mess. But it is still a mess.

Image: 20th Century Fox

Let’s start with the characters. There are too many of them, and the movie has no idea what to do with most of them. There are returning characters from the movie. The movie doesn’t know what to do with them, and promptly kills many of them off. There are new characters. The movie doesn’t know what to do with them, and promptly shunts many of them off to the side for most of the overlong 141-minute running time.

Colin Firth was the star of the first Kingsman movie, and watching the debonair, Oscar-winning English actor kick ass was an unexpected joy. Sadly, his character was killed off. But what do you know, he’s back for the sequel! This isn’t a spoiler, he’s in all the trailers. How did he survive? I won’t spoil it, but I found the method of his survival to be awfully…well…convenient. My guess is that the filmmakers weren’t expecting Firth’s character to be such a hit, so they scrambled for a way to resurrect him in the sequel. It’s great to see Firth again, he’s great, but the new movie’s writing is sloppy.

Director Matthew Vaughn has no one but himself to blame for the movie’s sloppiness, since he co-wrote the screenplay. The movie’s marketing made a big deal out of the new characters, played by well-known actors such as Channing Tatum, Jeff Bridges, and Halle Berry. But these characters have very little to do. Tatum in particular is barely in the movie. He has one big scene, then disappears until the end. I wondered if his role was supposed to be bigger but there were scheduling issues or something which prevented it. The movie initially positions him as an American version of hero Eggsy, then promptly drops him for most of the movie. Tatum’s character, heavily featured in the film’s marketing, is an afterthought.

As for the plot, it’s far-fetched to say the least. If the first Kingsman movie strained the limits of credibility, the second one obliterates them and it is impossible to take anything in the movie seriously. Case in point: the villain, Poppy Adams, played by Julianne Moore. Poppy easily takes home the title of “Most Cheerful Villain of the Year.” She has her own plan for world domination, which involves contaminating recreational drugs such as marijuana and heroin so that they paralyze and eventually kill people who use them. She’s obsessed with the 1950’s and lives in a 50’s-inspired utopia in the middle of the jungle in Cambodia. She’s completely ridiculous. She’s quirky but not scary, no offense to Julianne Moore, who does what she can with a weirdly-written role. Poppy spends literally the entire movie in her jungle utopia, and never registers as a credible threat. Samuel L. Jackson’s character in the first Kingsman movie was much more intimidating and memorable.

Image: 20th Century Fox

Still, early in the movie Poppy does manage to obliterate most of the Kingsman organization in one fell swoop. Surviving members Eggsy (played by Taron Egerton) and Merlin (played by Mark Strong) realize that they need help, and this leads them to the discovery of the Statesmen, the American cousins of the Kingsmen. Where the Kingsmen are exaggerated versions of everything British, with their finely-tailored suits and impeccable manners, the Statesmen are exaggerated versions of all things ‘Murican.

You know, ‘Murican, like “American” with a thick southern drawl? The Statesmen are headquartered in Kentucky and are fond of lassos, revolvers, and cowboy hats and boots. Most of them have southern accents and all their agents are named after alcoholic beverages. Channing Tatum is Tequila, Halle Berry is Ginger Ale, and Jeff Bridges, the boss, is Champagne, or just Champ for short. There’s also Agent Whiskey, played by Pedro Pascal, a Game of Thrones alumnus whose character only lasted for one season before being killed in one of the most infamously gruesome deaths on a show known for killing main characters in grisly ways.

This movie is insane. It’s hard to put into words the sheer insanity that this movie puts on the screen. It has to be seen to be believed. The movie has an all-star cast, but there is one man who steals the entire movie. This is a bit of a spoiler, since this person’s involvement was kept pretty minimal in the film’s marketing.

Two words:



Yes, Sir Elton steals the movie. It turns out that Poppy has kidnapped him and forces him to perform songs for her at her jungle lair. He’s not very happy about it and yells a lot of f-words. Also, Poppy’s hideout is guarded by two robotic dogs named Bennie and Jet, who are programmed not to kill Elton John.

It’s hilarious.

It’s also utterly absurd.

And did I mention Poppy’ rather bizarre way of indoctrinating new henchmen? It involves making them eat hamburgers made out of, uh, other henchmen.

So, yeah.

This movie is batshit. It’s the most batshit movie I’ve seen all year. The plot is a ridiculous mess, most of the characters are underused, and it’s a good twenty minutes too long.

But at the end of the day, I still had fun with it. Was I entertained? You bet I was. Matthew Vaughn’s screenwriting and storytelling could use some work, but his direction of the action scenes is top-notch. The first scene of the movie is a ten-minute car chase through the middle of London involving cars armed with miniguns and a bad guy with a robotic arm, and it only gets crazier from there.

The climactic battle at Poppy’s jungle hideout is one of the most joyously fun action scenes I’ve seen all year. It’s set to Elton John’s classic song Saturday Night’s Alright for Fighting, which has always been a favorite of mine. Watching two Englishmen in bespoke suits battling an army of henchmen in a 50’s-inspired jungle utopia while Saturday Night’s Alright for Fighting plays in the background is something I didn’t know how badly I needed until I saw it. Thank you, movie, for giving me back a piece of myself that I didn’t even know I was missing.

Image: 20th Century Fox

Look, this movie is a clusterf*ck on an epic scale, but hot damn if it isn’t still fun. Its flaws are legion but I still enjoyed the hell out of it. It’s a guilty pleasure, for sure. I hope Matthew Vaughn keeps making movies this fun, although it would be nice if he sharpened up the writing a bit.

Coming up next is a movie that’s a bit obscure, but it’s one that I really like. I’m not seeing any new movies this weekend, so I’m going to take a look at a film from last year that it is an underseen gem. It’s a movie called Anthropoid. If you’ve never heard of it I’m not surprised. It’s a World War II film about the plot to assassinate Reinhard Heydrich, one of the main architects of the Holocaust. There’s going to be some dark stuff, but hopefully I can convince you to check out this underappreciated movie. See you next week.

The Fate of the Furious is a Fun Movie with Problematic Writing

The Fast and Furious series has overcome humble beginnings to somehow become one of the biggest blockbuster movie franchises in recent memory. The eighth and most recent installment, The Fate of the Furious, was released in April and grossed a staggering $1.2 billion, which puts it at the number 2 spot on the list of the highest-grossing films of 2017 so far (only Beauty and the Beast has made more).

I saw the movie when it came out but I was in a bit of a funk at the time and never got around to writing about it. But since the movie just came out on Blu-Ray I thought it would be a good time to share some thoughts about it. Besides, given the fact that it made such an immense amount of money, most people who wanted to see it probably already have, so I figure the statute of limitations on spoilers has expired. This is my way of saying that the rest of this post will be chock-full of spoilers. You have been warned.

I like The Fate of the Furious. It’s a fun movie that delivers exactly what the fans of the series expect: nonstop over-the-top vehicular action and an emphasis on family and teamwork among the protagonists. So I can’t fault it too much for delivering on its promises. However…I do have some issues with the storytelling.

I might sound like a prude for saying that. After all, no one, myself included, goes into a Fast and Furious movie expecting Shakespeare. But while it is entirely possible to forget the storytelling issues and enjoy the movie for the solid piece of entertainment that it is, there are some glaring flaws with the writing that are hard to ignore.

Image: Universal

The movie’s trailers intentionally caused a bit of a stir by making it look like Dominic “Dom” Toretto, the unkillable protagonist played by Vin Diesel, had turned on his team and become the villain. He does work against his team for a good part of the movie, but he never goes full-evil. That’s okay, because he’s the main character of the series and the filmmakers would never kill him off or make him permanently evil, so clearly the film’s true villain, the dreadlocked super hacker Cipher (played by Charlize Theron) was manipulating him somehow.

Let’s backtrack a bit. For those of you unfamiliar with the series, Dom’s girlfriend and now wife Letty (played by Michelle Rodriguez) was presumed dead for a while, and during that time Dom shacked up with a Brazilian cop named Elena. It turns out that this relationship resulted in a child whom Dom was never aware of, and Cipher now has Elena and Dom’s baby son held hostage. This is the leverage she uses against him to make him do her bidding, which includes stealing an EMP device and a Russian nuclear football.

It’s a pretty decent twist, and since the series emphasizes family so much, it makes a degree of sense that Dom would risk so much and work against his team in order to save his son. I’m okay with that part, but it starts to get messy.

The movie re-introduces Deckard Shaw (played by Jason Statham), the villain of the previous film, 2015’s Furious 7. Deckard was one of my favorite villains of 2015, an unstoppable ass-kicking force of nature. The grudge match between Deckard and Dom felt like it had real dramatic stakes, but The Fate of the Furious retroactively undermines it.

Deckard reluctantly joins the team to help them catch Dom and Cipher, and this leads to some fun macho rivalry between Deckard and Dwayne Johnson’s character, the equally-unstoppable badass Luke Hobbs. But then the movie starts to try to make Deckard look like not such a bad guy, by revealing that he had won medals for valor while serving as a member of British special forces. He even starts to bond a little with Hobbs, and Hobbs appears genuinely upset when they hear Deckard has been killed by Dom.

But before this happens, Deckard explains that Cipher was the mastermind behind the team’s most recent adventures, hiring Deckard’s brother Owen (the villain of Fast and Furious 6) and other villainous characters in Furious 7. Remember in Spectre, when it was revealed that Christoph Waltz’s Blofeld was the mastermind behind the villains of the previous Daniel Craig Bond movies? I thought that approach worked well enough in that film, but in The Fate of the Furious it feels…rushed.

It turns out that Deckard is not actually dead, and that he and Dom (somehow) faked his death. And then, during the movie’s climax, Deckard and Owen (who got kicked out of a plane during the climax of Fast and Furious 6 and was last seen catatonic at the beginning of Furious 7, kicking off Deckard’s plans for revenge against Dom) infiltrate Cipher’s mobile command center to rescue Dom’s son.

If all of this sounds convoluted, that’s because it is. The movie ends as these movies usually do, with Dom and his team (which now includes Deckard) sitting down to dinner.

I have so many problems with this.
Image: Universal

First of all, this series has a tendency to take antagonists from previous movies and turn them into allies. Let us not forget that Dwayne Johnson’s character Hobbs started out hunting Dom and his team back in Fast Five. I’m fine with Hobbs joining the team, because who doesn’t want more Dwayne Johnson in their movies? Hell, I want Dwayne in every movie.

But it’s so much harder to accept Deckard (and potentially Owen) joining the team as well. Hobbs was never portrayed as a bad guy in Fast Five. Dom’s a criminal, Hobbs is a cop, his job was to catch Dom and by God that was what he was going to do. Hobbs was a guy doing his job, and even though his job was to catch Dom and his friends, Hobbs was never evil, and he became sympathetic towards Dom once he realized that there were far worse criminals around.

That makes sense as a character arc, but with Deckard is just doesn’t work. Furious 7 spent the entire movie establishing Dom and Deckard as the most bitter of enemies. Dom kicked Deckard’s brother Owen out of a plane, in return, Deckard killed one of Dom’s team members. But The Fate of the Furious undermines this by showing that Owen is apparently fine now, aside from some facial scarring he seems A-Okay despite having been kicked out of a plane that was going at several hundred miles an hour. Deckard’s grudge against Dom is therefore nullified, but Deckard still killed one of Dom’s team members. Dom seems willing to forget about this, and since the movie makes no mention of Dom’s friend that was killed by Deckard, I’m guessing the filmmakers wished the audience would forget about it too.

This also undermines the conflicts in Fast and Furious 6 and Furious 7. It makes it seem like Owen and Deckard were not that bad after all, despite both movies working hard to set them up as Really Bad Dudes. I mean heck, even if Owen was hired by Cipher to steal whatever the hell it was he was trying to steal in the sixth movie, he still drove a tank on a highway and annihilated several carloads of innocent people. Even if Owen and Deckard had been manipulated by Cipher to some extent, that doesn’t exonerate them of their past misdeeds.

You might argue that in a movie full of over-the-top action and people surviving things no actual human ever could survive, the storytelling issues aren’t that big of a deal, but for me, it’s the other way around. The Fast and Furious movies have always been about crazy action and stunts. Sure, some of it may be impossible, but after eight movies of death-defying mayhem, I can accept it. The plot contrivances, however, are much harder to swallow.

It also doesn’t help that it’s inelegantly done. Much of the final half-hour or so of The Fate of The Furious is composed of non-stop action, and for the most part it’s great fun. As much as I don’t like the whole “let’s make Dom and Deckard be friends now” angle, it is always a lot of fun to watch Statham kick ass, which he’s very good at. The scene where he battles Cipher’s henchmen with a gun in one hand and Dom’s son in a baby carrier in the other hand is one of the highlights of the movie (and also owes a clear debt to John Woo’s masterpiece Hardboiled).

But before this happens, the movie cuts back to show the audience how it transpired that Deckard was not killed earlier and how his mother (played by an uncredited and of course fabulous Helen Mirren) hatched a plan with Dom. I hate it when movies go away from exciting action scenes to show us people talking. It kills the momentum of the movie. I understand why the film is structured this way (so that the appearance of Deckard and Owen comes as a surprise) but for crying out loud, there’s got to be a better way of doing it than cutting away from the frenetic action scenes that are this series’ bread and butter. It interrupts the pacing and always feels like the filmmakers patting themselves on the back for being so clever, but to me this sort of thing always feels contrived.

My other main issue with the movie is Tyrese Gibson. I HATE Tyrese Gibson. The guy is an absolutely terrible actor and his character Roman is an irritating, obnoxious, loudmouthed asshole who does his best to ruin every scene he’s in. What’s worse, every director of every Fast and Furious movie seems to think that he’s hilarious and gives him way too much screen time for his incessantly smug mugging (smugging?). I REALLY wanted him to die during the movie’s climax, although I was sure it wouldn’t happen and sure enough, it didn’t. GAH. I HATE HIM.

Anyway, Tyrese Gibson rant over. Despite its profoundly flawed and somewhat lazy storytelling, The Fate of the Furious is still a fun movie. Even though I spent most of this post dissecting its many problems, I don’t want people to think that I hate it. I don’t. It’s a fun movie that delivers what fans want, and I can watch it and enjoy it as long as I don’t think too much about it. Maybe I’m my own worst enemy here and I need to stop thinking so much (DAMN YOU CLASSICAL EDUCATION) but I can still enjoy the movie as a fun piece of popcorn entertainment, even if it ultimately fails in its aspirations to be much more than that.

Thanks for checking out this spoiler-filled discussion of The Fate of the Furious. I hope it didn’t seem like a rant, except for the part about Tyrese Gibson. That part was definitely a rant. Next up is Christopher Nolan’s epic-looking war movie Dunkirk, which I’m very excited about. Tune in next Wednesday for a review.

Spider-Man’s Welcome Homecoming

Spider-Man has been called the most put-upon superhero in all of comics, and that applies to his life off the big screen and the comic-book page as well as on it. Since 2002, there have been six solo Spider-Man movies (not counting his appearance in Captain America: Civil War), he’s been played by three different actors and rebooted twice. His latest adventure, Spider-Man: Homecoming, is a co-production between two major studios (Marvel and Sony) and has exactly SIX credited screenwriters.

Given all that turmoil, it’s remarkable that the new movie is as good as it is. And make no mistake: the new movie is very good. It captures the essence of Spider-Man and reminds us of what makes the character so appealing, all while telling an original story that stands on its own and connects to the overall Marvel Cinematic Universe (MCU) in a logical and meaningful way.

Image: Sony

If you think that yet another Spider-Man origin story doesn’t sound very appealing, then you’re in luck: Homecoming is not an origin story. Here are things we do not see happen in Spider-Man: Homecoming: Peter getting bitten by a radioactive spider, and Uncle Ben dying. The makers of Homecoming know that we have seen these things multiple times before, so they don’t bother rehashing them. Also, Peter Parker doesn’t take any pictures, there is no mention of the Daily Bugle or J. Jonah Jameson, we don’t hear anything about great power and great responsibility, and Peter doesn’t even call Aunt May “Aunt May.” He just calls her May.

Which makes sense, because May is played by Marisa Tomei and is much younger than her previous onscreen incarnations. She’s great, fiery and self-sufficient. She’s more of a help to Peter, instead of the hindrance she usually is in comics and movies. She helps him out instead of just being another problem to make his life more difficult. She even tells Peter to cut the bullshit at one point, and it’s hard to imagine hearing that from the Aunt May of previous films.

This is but one example of how the filmmakers have made the familiar world of Spider-Man feel fresh and new. In this version, Spider-Man’s suit is made by none other than Tony Stark, and comes with a wide variety of hidden secrets. It even has its own AI, silkily voiced by Jennifer Connelly, whom Peter dubs “Karen.” Peter and Karen have many funny interactions, especially since she knows more about the suit than he does.

I’ve somehow forgotten to mention that Spider-Man is played by Tom Holland, a 21-year-old Brit who is 100% convincing as a fifteen-year-old American high school student. Holland perfectly captures Peter’s youthful exuberance, while still conveying his soulfulness and intelligence. Homecoming isn’t an origin story, but it does take place early on in Spider-Man’s superheroic career. As such, he isn’t always as graceful as we’ve seen in previous films. In one very funny scene, he tears through people’s backyard fences and knocks over treehouses in his dogged but somewhat hapless pursuit of the bad guys, and in a couple places he straight-up faceplants instead of landing on his feet. He’s very vulnerable, which is one of Spider-man’s defining characteristics, and a big part of what makes him relatable.

The movie lets us see him be scared a few times. It lets us see him mess up. Homecoming is less angst-ridden and more playful than the earlier movies, but it still emphasizes Peter’s humanity. It’s also very funny, easily one of the funniest MCU movies. The filmmakers have said that the films of John Hughes were a big influence on Homecoming (and there’s even a brief clip from Ferris Bueller’s Day Off in one scene). It’s a breezy and very fun movie, while still being emotional when it needs to be.

Image: Sony

It also does not repeat one of the biggest mistakes made by the earlier movies (namely Spider-Man 3 and The Amazing Spider-Man 2) in that it does not have too many villains. There is ONE main villain, which is all there needs to be. It helps that said villain is played by Michael Keaton, who seems to like playing characters associated with flying creatures. First Batman, then Birdman, and here, Keaton plays Adrian Toomes, aka the Vulture. This is a character who has not been seen on the big screen before, and the filmmakers have given him a motive that makes sense and connects nicely to the larger Marvel Cinematic Universe. Keaton is very menacing in the role, with a sardonic sense of humor. He’s easily one of the best MCU villains, and there’s a great plot twist that for once the movie’s trailers and advertising managed to not completely spoil, so I won’t spoil it either.

Spidey himself also looks great. The costume he wears is close enough to his original look in the comics to satisfy fans of the character, while adding a few tweaks. The filmmakers have also thought of a clever way to make Spidey more expressive, by making his eyes change size. In earlier movies, the eyes stayed the same size, but here they get bigger and smaller, which gives Spider-Man a wider range of expressions.
Peter Parker’s relationship with Tony Stark is another great aspect of the movie. They’re both huge nerds, Tony just so happens to be insanely rich and Peter is dirt-poor. Robert Downey Jr. brings the same sarcastic wit he’s brought to Tony ever since 2008, and he helps Peter learn a very important lesson: that he is more than just a fancy suit. This is a lesson Tony himself had to learn the hard way, and it’s important for Peter to learn as well.

The movie doesn’t skimp on the action, either. Highlights include a battle on a ferry which starts to split in half, a dramatic rescue atop the Washington Monument, and a climactic midair battle. I thoroughly enjoyed all of these, and it is always a joy to see Spidey effortlessly sailing through the concrete jungles of New York City, even if he does occasionally fall flat on his face. The movie also addresses what happens when there aren’t any buildings or trees around that are tall enough for Peter to use his webs on: he just has to leg it.

Spider-Man: Homecoming is a fantastic movie: full of colorful action, great characters and acting, it’s well-written and often very funny, and it tells a story that makes sense on its own while still fitting into the sprawling Marcel Cinematic Universe. It’s everything you want a Spider-Man movie to be, and it doesn’t get bogged down in franchise-building or sequel-baiting. It may not be quite as good Sam Raimi’s near-flawless Spider-Man 2, but in my opinion it more than qualifies as the second-best Spider-Man movie, which is no small feat. And as always with these Marvel movies, make sure you stay until the very end after the credits for a cheeky extra scene. I won’t spoil it, but remember, kids, patience is a virtue.

Next on my summer watchlist is Christopher Nolan’s Dunkirk, but that won’t be out until July 21, so in the meantime I’m going to back a few months and talk about The Fate of the Furious. I saw it when it came out but for whatever reason never wrote about it, so I’m going to rectify that next week. And since it came out a few months ago and made about a bazillion dollars, I figure the statute of limitations on spoilers has now expired, so I’m really going to dig into it. Tune in next week for a spoiler-filled discussion!