I love monster movies. If a movie is full of creatures, I’m good and happy. Recently I discovered how easy it is to watch movies on Amazon Video that might be hard to find on Blu-Ray, and I’ve been on a tear of highly-entertaining creature features. Here are a few of my favorites, because there is never a bad time to watch people get eaten by tentacle monsters.
Deep Rising (1998)
Deep Rising was written and directed by Stephen Sommers, who went on to make The Mummy, The Mummy Returns, Van Helsing, and G.I. Joe: The Rise of Cobra. The movie was originally called “Tentacle.” These two facts should tell you what kind of movie Deep Rising is: it’s not remotely scary, but it’s a hell of a lot of fun.
The main character is Finnegan, played by Treat Williams. The producers wanted Harrison Ford, but he turned them down. The character is clearly inspired by Han Solo, except instead of a spaceship, he has a boat. He and his crew are hired by a shady group of mercenaries for some nefarious purpose that is not immediately clear, but as long as the pay is good Finnegan doesn’t particularly care what the job is.
This is a practice he will come to regret, because wouldn’t you know it, the mercenaries’ target is a state-of-the-art cruise ship which just so happens to be completely infested with slimy, sharp-toothed tentacle monsters.
There are a few more wrinkles in the plot, but it’s pretty rudimentary stuff. The various mercenaries are picked off in grisly ways, and there are a few survivors on the boat, one of whom is played by Famke Janssen, fresh off the success of GoldenEye a few years previously, and two years away from another hit with X-Men in 2000.
The creatures are mostly CGI, and while they do look somewhat dated by today’s ridiculously high special effects standards, they still look pretty good. The look of the creatures is fairly basic, they’re essentially tentacles with sharp-toothed maws at the end, but hey, if it ain’t broke, don’t fix it. Is it weird that I had a lot of fun watching the mercenaries get eaten and dismembered? Because I really did. The movie is goofy and gory and predictable, and I enjoyed it immensely.
The Relic (1997)
The main thing people tend to remember about The Relic is that it’s really, really dark. Not “dark” as in “thematically dark”, like it deals with weighty issues and themes. “Dark” as in “lost in the woods in the middle of the night without a flashlight” dark. For much of the movie, it’s kind of hard to see.
This is both a good thing and a bad thing. On the one hand, not being able to see clearly can create tension, since you don’t know where the monster is going to come from if you can’t see much. On the other hand, watching a movie carries with it the completely reasonable expectation to be able to see what’s going on.
So yeah, The Relic is a bit of an oddity in that regard. It’s still enjoyable though, and it’s definitely scarier than Deep Rising, though not as much fun. The movie was based on the best-selling novel by Douglas Preston and Lincoln Child, which I haven’t read. The basic plot summary is: ancient South American monster runs amok at museum gala opening in Chicago.
The monster in question is the Kothoga, a massive, wheezing monstrosity that rips people’s heads off and eats the hypothalamus in their brains. That’s a thoroughly nasty way to kill someone, and The Relic features some gruesome kills that are genuinely disturbing, but also kind of funny in a macabre sort of way.
Image: Paramount Pictures
The main human characters are Vincent D’Agosta, a police detective played by Tom Sizemore, and Dr. Margo Green, the museum’s evolutionary biologist, played by Penelope Ann Miller. Sizemore and Miller are likable leads and the only people in the movie I did not want to get eaten. The Kothoga claims quite a few victims, and most of them I didn’t care about, either because they were jerks or I didn’t know who they were.
The Kothoga itself was designed by legendary makeup artist Stan Winston, and as a result it looks pretty great. The Relic was directed by Peter Hyams, who would later make the utterly insane 1999 Arnold Schwarzenegger thriller End of Days, which I covered in a previous post a few years ago.
I don’t know about you, but I definitely wouldn’t want my head ripped off and part of my brain eaten by a wheezing, reptilian beast, and that thought alone gives The Relic a lot of weight in the horror department that the popcorn thrills of Deep Rising can’t provide. If you want an action movie, watch Deep Rising. If you want a horror movie, watch The Relic.
Leviathan is probably my least favorite movie in this first round of Monster Movie Binge, but it’s still fun. It stars Robocop himself, Peter Weller, as a geologist supervising an underwater mining operation. The crew comes across the wreck of a Russian ship called Leviathan, which holds a deadly secret.
An underwater base is a good location for a monster movie, since the characters have very limited options once the tentacles show up. The monster turns out to be the result of Russian experiments with mutagens on the crewmen of the Leviathan, and they scuttled the ship once the experiment got out of control. The same mutagens infect Weller’s crew, and a mutant that looks sort of like an angler fish with human faces sticking out of it starts running amok, killing and assimilating the various crew members. Angler fish are creepy as hell by the way, google them if you don’t believe me.
The main problem with Leviathan is that it feels very derivative. It’s basically Ridley Scott’s Alien meets John Carpenter’s The Thing, only underwater. It’s also a bit too leisurely, since it takes about an hour into the 98-minute movie for the monster to really start causing havoc. It was directed by George P. Cosmatos, who made one the quintessential American action movies in 1985 with Rambo: First Blood Part II. His foray into horror wasn’t as successful, but it’s still worth checking out for monster fans. It’s got another monster designed by Stan Winston, so at least it delivers in that department.
Okay, so I wrote the entries for Deep Rising and The Relic before I saw Guillermo Del Toro’s deeply unsettling English-language debut, Mimic. If you can’t stand creepy-crawlies or the words “mutant cockroaches” are enough to make you reach for the barf bag, you will want to stay VERY FAR AWAY from Mimic. It is easily the scariest movie I’ve watched in Monster Movie Binge so far.
As the movie opens, a disease called Strickler’s disease is killing hundreds of children in Manhattan (you know things are serious when a movie starts with a DISEASE THAT ONLY KILLS CHILDREN). Deputy CDC Director Dr. Peter Mann (played by Jeremy Northam) and entomologist Dr. Susan Tyler (played by Mira Sorvino) work together to create what Susan calls the Judas Breed, a genetically-engineered insect which will release an enzyme that causes the metabolism of the Strickler’s disease-carrying roaches to accelerate, thereby causing them to starve to death.
The plan works, Strickler’s disease is eradicated, and Peter and Susan get married. But three years later, all is not as it seems. The Judas Breed were supposed to die off after a couple months, but they have not only survived, they have thrived, and are far more dangerous (and numerous) than anyone could have imagined.
This movie got under my skin. It is a truth universally acknowledged that cockroaches are vile and disgusting, and they get so much worse when they are human-sized and have developed the ability to imitate humans.
Image: Miramax Films
ICK ICK ICK NO NO NO.
Del Toro didn’t have a good experience making Mimic, since he frequently clashed with producers Bob and Harvey Weinstein (yes, that Harvey Weinstein). The Weinsteins were so difficult that for a long time Del Toro disowned the film, until he was able to put together a director’s cut, which was released in 2011 and is the version he prefers. This is the version I watched, and it is damn effective. I was cringing away from my computer screen for most of the movie.
Due to its gruesome subject matter, this is not a film that will be to every viewer’s taste. I liked it overall and appreciate the craftsmanship of it (one of the creature designers was Rob Bottin, who worked on The Thing, which has some of the coolest and grossest monsters in cinematic history), but I am in no hurry to watch it again. It’s harrowing. Still it shows why Del Toro’s name has come to be synonymous with monster movies.
So there you have it, Monster Movie Binge Part One. I’ve got more creature-filled flicks on my watch list, and there’s no time like the present to watch a monster movie.